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a light bulb

A Light Left On

for Shel Silverstein
September 25, 1930  –  May 1999


I have been a children's librarian for twenty-four years, the last eleven at a branch library on the north side of Spokane, Washington. In all that time, the book that has been stolen from my shelves most often is Where the Sidewalk Ends. I have replaced it, by my count, thirty-one times. I have never once been angry about it. If a child is going to steal a book, let it be that one.

Shel Silverstein died this May, at his home in Key West, Florida. It was his heart. He was 68. I found out from one of my Tuesday story-hour mothers, who came in the next morning with her four-year-old and just stood at the desk and said, "Did you hear?" And I had. We both stood there a minute. Then her son asked for the one about the girl who ate the whale, and we went and found it, because that is what you do.

My name is Bonnie Tillotson. This is my page for him. It's black and white, like his books.


*

The man

He was born in Chicago. He was drafted in the 1950s and sent to Japan and Korea, where he drew cartoons for Pacific Stars and Stripes, the Army paper. After that he drew for magazines, and he wrote songs, a great many of them. Johnny Cash had a hit with his "A Boy Named Sue," and Shel won a Grammy for writing it. The Irish Rovers sang his "The Unicorn." Dr. Hook and the Medicine Show sang his "The Cover of the Rolling Stone." Most of the children who come into my library have no idea about any of that, and I think that is just fine with him.

In the early sixties an editor talked him into making a book for children. After that came a lot of them. On my shelves, in the order they arrived:

1963  Lafcadio, the Lion Who Shot Back
1964  The Giving Tree
1964  A Giraffe and a Half
1964  Who Wants a Cheap Rhinoceros?
1974  Where the Sidewalk Ends
1976  The Missing Piece
1981  A Light in the Attic
1981  The Missing Piece Meets the Big O
1996  Falling Up

He almost never gave interviews. He let the books go out and do the talking. That's the best way, I think. The picture of him on the back of The Giving Tree, with the bald head and the beard and that look, has frightened a few of my younger patrons over the years. I tell them he was a man who spent all his time making children laugh, and was just being serious for the camera.


*

What the children ask for

I kept a tally sheet at the desk this summer. These are the ones my story-hour children asked for most, in their own words, which are better than mine:
  • "Sick" — "the girl who has every sickness in the world and then it's Saturday." (Asked for 41 times.)
  • "Melinda Mae" — "the tiny girl who eats the whole whale, and it takes her forever."
  • "Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out" — "the garbage one!" (Always shouted.)
  • "Smart" — "the boy who thinks more coins is more money." The eight-year-olds get it and the six-year-olds don't, and watching the eight-year-olds explain it is the best part.
  • "Jimmy Jet and His TV Set" — "the kid who turns into a TV." Several parents asked for this one too, for reasons of their own.
  • "Boa Constrictor" — "the snake one, where your voice gets more and more swallowed."
  • "Homework Machine" — "the machine that gets it wrong."
  • "Hug O' War" — from the little ones, who then have to act it out, all over my carpet.
  • "Whatif" — from one very quiet ten-year-old girl, every single week. I understood.
Please don't e-mail me his poems to put up on this page. They belong to him and his publisher, and more than that, they belong in the books, next to the drawings. The drawings are half of it. Go to your library. If ours is out, it's been stolen again.


*

About The Giving Tree

Every librarian has had this argument with a grown-up. Is it a sweet book or a sad one? Is the tree kind or is the boy selfish? I've heard it from mothers, from ministers, and once from two grandfathers who nearly came to blows in the picture book aisle. My answer, for what it's worth: the book doesn't tell you, and that is why people have been arguing about it for thirty-five years. Children don't argue about it. They just get very quiet at the end and ask to read it again.


*

The week in May

The week after he died we set every one of his books out on the low table by the window, and by Thursday every one of them was checked out, including the two copies of Falling Up with the cover taped on. On Saturday the children brought sidewalk chalk and drew on the walk out front, starting at the door, and kept going until the sidewalk ended at the parking lot. Then a boy named Andre, age seven, asked me what happens after that. I said I didn't know, but I thought it was nice there. He considered this and said okay.

It rained Sunday night and washed it all away. That was nice too, somehow.


*

Returns
by the Story Lady, with apologies to nobody

His books come back to me all bent,
with jelly on the page,
with crayon on the giraffe's neck
and a sock stuck in the middle of the lion's cage.

One came back with a tooth in it,
a small one, baby-white.
One came back three years overdue,
and the boy said sorry, he had read it every night.

One came back in a little girl's hand
who would not let it go.
She said, "Can I keep it one more week?"
And the Story Lady did not say no.

So go on and bend them, children.
Go on and read them to rags.
The man who made them is gone now.
I'll just order more. I'll bring bags.


a light bulb

If you'd like, write to me and tell me which one was yours.
For every letter, I leave a light on. So far: 1,147 lights.


Readers since June 1, 1999
021182

Bonnie Tillotson · [email protected]
Last updated September 25, 1999, which would have been his 69th birthday.