GeoCities.us GeoCities.us » Paris » Garret Get your FREE home page!

PAR AVION · BY AIR MAIL
One Trip a Year
travel essays by Ingrid Solvang
DES MOINES IA
SEP 19
1999

I am a court reporter. For fifty weeks a year I sit in a courtroom in Des Moines and take down every single word that anybody says. Every "um." Every "objection." Every "could you repeat the question." I am very good at it.

For the other two weeks, I go somewhere I can't understand a thing.

I started in 1993. Forty dollars out of every paycheck goes into a Folgers can on top of the refrigerator with OUT written on the lid in marker. When the can is full enough, I go. I go alone, I go in the off-season, and I bring one bag. When I get home I write about it, because it turns out that after fifty weeks of other people's words, I have a few of my own.

This is where I keep them.

THE ESSAYS
NEW! Up the Hill on the 28 — Lisbon, April 1998 (below)
Fog on the Cabot Trail — Cape Breton, Nova Scotia, September 1997
Soft Day, Galway — Ireland, October 1996
1993 (Quebec City), 1994 (New Mexico) and 1995 (the Oregon coast) are in a notebook that I'm typing up slowly. My handwriting on vacation is terrible.


airplane
Up the Hill on the 28
Lisbon, Portugal · April 1998

Everyone tells you to ride the 28. The guidebook tells you, the woman at the pension tells you, and the man at the next table in the café tells you in careful English after he has watched you fail, twice, to order a coffee. So on my second morning in Lisbon I went and stood at the stop with a crowd of other people who had been told, and when the little yellow tram came grinding around the corner we all climbed on as if we'd been waiting our whole lives for it.

It is not a big tram. It's a wooden box on rails about the size of my kitchen, older than I am, with a driver up front working a brass handle like he's steering a ship. It creaks. It sways. It rings a bell at people who are standing in the street, and the people do not move, and then at the last second they do.

The 28 climbs. That's the whole point of it. Lisbon is built on hills, seven of them, people will tell you, and the tram goes up the steepest of them into the Alfama, the old quarter that came through the great earthquake of 1755 when so much of the city below it did not. The streets there were laid out long before anybody dreamed of a tram. On some corners it passes so close to the houses that you could reach out the window and take a geranium off somebody's sill. I didn't. I thought about it.

About halfway up the tram lurched on a curve and I grabbed the nearest thing, which was the arm of a tiny woman in a black cardigan with a shopping bag full of oranges. She did not let go of me. She held on to my elbow for the rest of the hill as if I were her niece, and she talked to me the whole way, a long, warm, serious story in Portuguese with a lot of shaking of her head. I understood none of it. Not one word. I nodded where it seemed right. Once she laughed, so I laughed. When she got off at the top she patted my hand twice and gave me an orange.

I have thought about that story ever since. It might have been about her son. It might have been about the price of oranges, or the tram, or the government, or a dog. It might have been a warning. For fifty weeks a year I would have had it all down, every word, spelled right, with the time noted. On the 28 I just had the sound of it, and her hand on my arm, and an orange. It was, I think, the best testimony I've ever heard.

I rode to the end of the line and then walked back down, which is the other thing everyone tells you to do, and got lost, which is the thing nobody tells you but everyone does. The Alfama is all stairs and alleys and laundry. Shirts hang across the lanes on lines strung between windows, so you walk under other people's sleeves. Old men sat on doorsteps. A cat watched me from a pile of tiles with the look of a clerk who knows your paperwork isn't in order. Somewhere somebody was grilling sardines and the whole hill smelled of smoke and salt.

Down at the bottom they were busy getting the city ready for the Expo, which opened the month after I left. There were cranes everywhere and new paint and banners going up. I was glad I came before it. I liked the city in its work clothes.

On my last afternoon I bought a paper bag of custard tarts, the little ones with the burnt tops, and took the 28 up one more time. I didn't see the woman with the oranges. I didn't expect to. But I held on to the strap on the curve where I'd met her, and I let the whole car talk around me, a river of words I couldn't catch, and for once in my life I didn't even try.


HOW I DO IT, SINCE PEOPLE ASK
  • Go in the off-season. October and April. Cheaper airfare, cheaper rooms, and the locals have time to talk to you.
  • One bag. If I can't carry it up four flights of stairs, it doesn't come.
  • Money: some traveler's checks, and my bank card, which works in the cash machines over there if it has the right little symbol on the back. Ask your bank before you go.
  • A photocopy of my passport in a different pocket from my passport.
  • A phone card for calling my mother, who worries, every third night.
  • Five words in the language before I land: please, thank you, excuse me, I'm sorry, and "I don't speak ___." People forgive everything else.
  • No schedule for the last two days. That's when the good stuff happens.

This year's trip is late. The can says Crete, in October. Wish me luck with the Greek.

Letters are welcome, by air mail or otherwise: [email protected]

You are visitor
002613
Thank you for stopping by.

Essays © 1998–1999 Ingrid Solvang · Last updated Sunday, September 19, 1999