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Here is every line of the HTML of Sheet 1, in order, as it stands in the file, numbered down the left. Where a line wants explaining, the note is beside it. If you want to check me, open Sheet 1 and choose View, then Source (in Netscape, View, then Page Source), and compare.
| GENERAL NOTES
A. The lines above the BODY tag, the HEAD, are put at the top of every page by GeoCities.us and are not shown. They hold one line of mine, the TITLE, which reads: This Page, Taken Apart: W. Gifford, Sheet 1. B. The member bar and the advertisement that GeoCities.us puts across the top of the page are their work, not mine. On a drawing, such items are marked BY OTHERS. They appear below as one shaded line. C. Line numbers count my lines only. Notes are numbered in the order they occur. D. Long lines may fold to fit a narrow window. A number in the left column marks where each line of the file begins. |
| LINE | SOURCE | NOTE |
| 1 | <BODY BGCOLOR="#EEF4F8" TEXT="#000000" | NOTE 1. Background #EEF4F8, the pale blue-white of drafting vellum, the sheet I drew on for forty-one years. Black lettering, as on a print. On the next line, LINK is the color of a link not yet followed and VLINK one already visited. See Rev. D. |
| 2 | LINK="#1F3F6F" VLINK="#4F4F6F"> | |
| BY OTHERS. GeoCities.us member bar and advertisement, furnished by GeoCities.us. Not shown; not numbered. See General Note B. | ||
| 3 | <!-- W.G. HOME PAGE, SHEET 1 OF 3 --> | NOTE 2. A comment. The browser does not show it. Every drawing carries a number, and this is mine. |
| 4 | <FONT FACE="Arial, Helvetica"> | NOTE 3. One FONT for the whole sheet, closed at line 197. Arial if the reader has it; Helvetica if not. |
| 5 | <BR> | |
| 6 | <CENTER> | |
| 7 | <FONT SIZE="2">THIS PAGE, TAKEN APART: | |
| 8 | SHEET 1 OF 3</ | |
| 9 | <BR> | |
| 10 | <FONT SIZE="5"><B>WOODROW GIFFORD</ | |
| 11 | <BR> | |
| 12 | <FONT SIZE="3">Slide Rules, a Workbench, | |
| 13 | and Frances</ | |
| 14 | </ | |
| 15 | <HR SIZE="1" NOSHADE COLOR="#000000"> | NOTE 4. A rule one pixel thick. NOSHADE makes it solid instead of a groove. Internet Explorer draws it black; other browsers draw it gray, which will do. |
| 16 | <P> | NOTE 5. <P> begins a paragraph. Note the length of these lines: none over 44 characters. The browser takes no notice of where my lines end and pours the words to fit the window. I keep them short so this sheet can show them whole. |
| 17 | I am eighty years old. For forty-one | |
| 18 | years I designed electrical switchgear | |
| 19 | in Pittsburgh: the big steel cabinets | |
| 20 | of breakers and bus bars that stand | |
| 21 | between the power company and a mill, | |
| 22 | a hospital or an office building. I | |
| 23 | made drawings for a living, and I | |
| 24 | still think in them. | |
| 25 | <P> | |
| 26 | When I retired, I said I would never | |
| 27 | draw another thing. Then in 1997 I | |
| 28 | borrowed a book on HTML from the | |
| 29 | public library and found that a Web | |
| 30 | page is a drawing after all. It has | |
| 31 | parts, the parts have dimensions, | |
| 32 | and a careful man can write down why | |
| 33 | each one is there. So I have. This | |
| 34 | page is Sheet 1. Sheet 2 is its HTML, | |
| 35 | every line numbered and noted, and | |
| 36 | Sheet 3 is its revision history. | |
| 37 | <P> | |
| 38 | <A HREF="source.html">SHEET 2: The | NOTE 6. A relative address. Sheets 2 and 3 are in the same folder as Sheet 1, so the file name alone will do. |
| 39 | HTML, line by line</ | |
| 40 | <BR> | |
| 41 | <A HREF="changes.html">SHEET 3: The | |
| 42 | revision history</ | |
| 43 | <P> | |
| 44 | <HR SIZE="1" NOSHADE COLOR="#000000"> | |
| 45 | <FONT SIZE="4"><B>THE SLIDE RULES</ | |
| 46 | <P> | |
| 47 | <IMG SRC="/ | |
| 48 | WIDTH="32" HEIGHT="32" ALIGN="LEFT" | NOTE 7. WIDTH and HEIGHT keep the words from jumping when the picture arrives. Given the dimensions, the browser leaves a hole of the right size and fills it when the picture comes. See Rev. F. |
| 49 | HSPACE="8" ALT="A pocket calculator"> | NOTE 8. ALIGN="LEFT" stands the picture at the margin with the words running down its right side. HSPACE is clearance: eight pixels either side. ALT is what the reader gets if the picture does not come. |
| 50 | GeoCities.us has no picture of a slide | |
| 51 | rule, so here is a calculator, the | |
| 52 | machine that put the slide rule out of | |
| 53 | work. I find it a fair substitute, and | |
| 54 | a fair warning. | |
| 55 | <BR CLEAR="ALL"> | NOTE 9. Ends the run-around. The next line starts below the picture, not beside it. |
| 56 | <P> | |
| 57 | A slide rule multiplies by adding | |
| 58 | lengths. The C and D scales are the | |
| 59 | same logarithmic scale, one printed | |
| 60 | on the slide and one on the body. To | |
| 61 | multiply 2 by 3, set the 1 at the | |
| 62 | left end of C over 2 on D, run the | |
| 63 | cursor to 3 on C, and read 6 on D | |
| 64 | under the hairline. The rule gives | |
| 65 | you three figures, sometimes four. | |
| 66 | It does not give you the decimal | |
| 67 | point. You carry that in your head, | |
| 68 | which is the best habit an engineer | |
| 69 | ever learned. | |
| 70 | <P> | |
| 71 | The log-log scales raise numbers to | |
| 72 | powers. A number on LL2 sits exactly | |
| 73 | over its tenth power on LL3: 1.2 is | |
| 74 | over 6.19. We used them at work for | |
| 75 | heating and cooling curves, and at | |
| 76 | home for the interest on the mortgage. | |
| 77 | <P> | |
| 78 | I own 27 rules. My working rule for | |
| 79 | thirty-six years was a Keuffel & | NOTE 10. & is how an ampersand is written. A bare & begins a character code, and the browser may make a mess of what follows. |
| 80 | Esser Log Log Duplex Decitrig, model | |
| 81 | 4081-3, mahogany with white faces, | |
| 82 | bought new in 1946. It is on the desk | |
| 83 | beside me as I type. The Picketts are | |
| 84 | all aluminum, and most are painted | |
| 85 | the yellow Pickett called Eye Saver. | |
| 86 | The young engineers liked them. I | |
| 87 | stayed with mahogany. | |
| 88 | <P> | |
| 89 | <TABLE BORDER="1" CELLPADDING="4" | NOTE 11. A table with a one-pixel border and four pixels of padding inside each cell. |
| 90 | CELLSPACING="0" WIDTH="100%"> | NOTE 12. WIDTH="100%" is the width of the window, whatever it is. Until Rev. G this read WIDTH="600", and on a small screen the table ran off the edge. |
| 91 | <TR><TH ALIGN="LEFT">MAKER</ | |
| 92 | <TH ALIGN="RIGHT">QTY.</ | NOTE 13. Quantities flush right, so the figures line up as on any bill of material. |
| 93 | <TR><TD>Keuffel & Esser</ | |
| 94 | <TD ALIGN="RIGHT">11</ | |
| 95 | <TR><TD>Pickett</ | |
| 96 | <TD ALIGN="RIGHT">7</ | |
| 97 | <TR><TD>Dietzgen</ | |
| 98 | <TD ALIGN="RIGHT">4</ | |
| 99 | <TR><TD>Post</ | |
| 100 | <TD ALIGN="RIGHT">2</ | |
| 101 | <TR><TD>Other makers</ | |
| 102 | <TD ALIGN="RIGHT">3</ | |
| 103 | <TR><TD><B>TOTAL</ | |
| 104 | <TD ALIGN="RIGHT"><B>27</ | NOTE 14. Checked: 11 + 7 + 4 + 2 + 3 = 27. |
| 105 | </ | |
| 106 | <P> | |
| 107 | <HR SIZE="1" NOSHADE COLOR="#000000"> | |
| 108 | <FONT SIZE="4"><B>FRANCES</ | |
| 109 | <P> | |
| 110 | <IMG SRC="/ | NOTE 15. Same arrangement as Notes 7 and 8. |
| 111 | WIDTH="32" HEIGHT="32" ALIGN="LEFT" | |
| 112 | HSPACE="8" ALT="A red heart"> | |
| 113 | My wife, Frances, and I were married | |
| 114 | in June of 1947. She taught the third | |
| 115 | grade for twenty-six years, and she | |
| 116 | corrected my spelling for nearly | |
| 117 | forty-nine. She died in March of 1996. | |
| 118 | <BR CLEAR="ALL"> | |
| 119 | <P> | |
| 120 | She checked my work. Every letter I | |
| 121 | wrote, she read before it went in the | |
| 122 | mail. On an engineering drawing there | |
| 123 | is a box marked CHECKED, for the | |
| 124 | initials of the man who looked the | |
| 125 | drawing over before it went to the | |
| 126 | shop. You will find that box at the | |
| 127 | bottom of this page. I have left it | |
| 128 | empty. | |
| 129 | <P> | |
| 130 | <HR SIZE="1" NOSHADE COLOR="#000000"> | |
| 131 | <FONT SIZE="4"><B>THE WORKBENCH</ | |
| 132 | <P> | |
| 133 | <IMG SRC="/ | |
| 134 | WIDTH="32" HEIGHT="32" ALIGN="LEFT" | |
| 135 | HSPACE="8" ALT="A hammer"> | |
| 136 | The bench is in the basement. The top | |
| 137 | is a solid-core door I bought for four | |
| 138 | dollars in 1953 and set on legs of two | |
| 139 | by four. Above it are three shelves of | |
| 140 | coffee cans, each labeled on masking | |
| 141 | tape: wood screws, machine screws, | |
| 142 | washers, fuses, tubes, and one marked | |
| 143 | MISC., which is where everything goes | |
| 144 | in the end. | |
| 145 | <BR CLEAR="ALL"> | |
| 146 | <P> | |
| 147 | I fix lamps, toasters and radios for | |
| 148 | the neighbors, and lately a good many | |
| 149 | computer mice, which mostly want their | |
| 150 | little rubber balls cleaned. I built | |
| 151 | an oscilloscope from a Heathkit in | |
| 152 | 1958. It still works. | |
| 153 | <P> | |
| 154 | <HR SIZE="1" NOSHADE COLOR="#000000"> | |
| 155 | <FONT SIZE="2"> | |
| 156 | Visitors to Sheet 1: | |
| 157 | <IMG SRC="/ | NOTE 16. The counter is six pictures, one to a digit. The line breaks between them show as narrow spaces between the digits. I have accepted the deviation. |
| 158 | WIDTH="16" HEIGHT="24" ALT="0"> | |
| 159 | <IMG SRC="/ | |
| 160 | WIDTH="16" HEIGHT="24" ALT="0"> | |
| 161 | <IMG SRC="/ | |
| 162 | WIDTH="16" HEIGHT="24" ALT="2"> | |
| 163 | <IMG SRC="/ | |
| 164 | WIDTH="16" HEIGHT="24" ALT="3"> | |
| 165 | <IMG SRC="/ | |
| 166 | WIDTH="16" HEIGHT="24" ALT="0"> | |
| 167 | <IMG SRC="/ | |
| 168 | WIDTH="16" HEIGHT="24" ALT="8"> | |
| 169 | <BR> | |
| 170 | Correspondence: | |
| 171 | <A HREF="mailto:wgifford@ | NOTE 17. A mailto: link opens the reader's mail program with my address filled in. |
| 172 | >wgifford@ | NOTE 18. The > that closes the A tag begins this line. It is legal, if odd to look at. I broke the line to keep it short. |
| 173 | <BR> | |
| 174 | Last updated September 18, 1999 | |
| 175 | </ | |
| 176 | <P> | |
| 177 | <TABLE ALIGN="RIGHT" BORDER="1" | NOTE 19. The title block. On a drawing it sits in the lower right corner, and ALIGN="RIGHT" puts it there. |
| 178 | CELLPADDING="3" CELLSPACING="0"> | |
| 179 | <TR><TD COLSPAN="2"> | |
| 180 | <FONT SIZE="1">TITLE</ | NOTE 20. Size 1 for the box labels, the small print of a title block. TT puts the entries in plain typewriter letters. |
| 181 | <TT>HOME PAGE, W. GIFFORD</ | |
| 182 | <TR><TD><FONT SIZE="1">DRAWN</ | |
| 183 | <TT>W.G.</ | |
| 184 | <TD><FONT SIZE="1">CHECKED</ | NOTE 21. Left blank. See lines 108 through 128. |
| 185 | <TT> </ | |
| 186 | <TR><TD><FONT SIZE="1">DATE</ | |
| 187 | <TT>9-18-99</ | |
| 188 | <TD><FONT SIZE="1">REV.</ | |
| 189 | <TT>H</ | NOTE 22. The revision letter, raised at every change. See Sheet 3. |
| 190 | <TR><TD><FONT SIZE="1">SCALE</ | |
| 191 | <TT>NONE</ | |
| 192 | <TD><FONT SIZE="1">SHEET</ | |
| 193 | <TT>1 OF 3</ | |
| 194 | </ | |
| 195 | <BR CLEAR="ALL"> | |
| 196 | <BR> | |
| 197 | </ | NOTE 23. Closes the FONT opened at line 4. |
| 198 | </ | |
| 199 | </ | NOTE 24. End of sheet. |
| TITLE HOME PAGE, W. GIFFORD: HTML | |
| DRAWN W.G. | CHECKED |
| DATE 9-18-99 | REV. H |
| SCALE NONE | SHEET 2 OF 3 |