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WORK ORDER No. 0407-54 CUSTOMER: Chan, Jackie VEHICLE: human body, 1954 model, Hong Kong build MILEAGE: very high COMPLAINT: owner keeps jumping off of things TECH: Duane O. |
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Me | Service History | The American Movies | Stay for the Credits | Injury Chart | Top 10 Stunts + Tape Want List ME My name is Duane Oakley. I'm 18. I graduated high school in Arkansas this May and I work at a tire shop, mounting and balancing and plugging flats and listening to the radio all day. Mr. Gregorio, who owns the shop, says I'm the only guy he ever hired who reads the tread wear chart for fun. Two nights a week I take Tang Soo Do. I'm a green belt. I found Jackie Chan the way a lot of people in America did. In 1996 when I was fifteen, my buddy Matt and I went to see Rumble in the Bronx because the poster looked cool, and partway through, Jackie jumps off one roof onto the fire escape across the alley and Matt grabbed my arm and said did he just DO that? He did. Every time. That's the whole point of this page. SERVICE HISTORY Jackie Chan was born in Hong Kong on April 7, 1954. His family was poor, and when he was about seven they put him in a Peking Opera school, where kids lived and trained all day, every day, for about ten years: acrobatics, singing, kung fu, tumbling, and getting hit with a stick when they messed up. Some of the boys he trained with, like Sammo Hung and Yuen Biao, ended up making movies with him later. The school is where all the flips come from. When he got out he worked as a stuntman, and he was in Bruce Lee's movies Fist of Fury and Enter the Dragon, getting beat up mostly. After Bruce Lee died, everybody wanted the next Bruce Lee, and they tried to make Jackie into one, and it didn't work. He wasn't Bruce Lee. He was funny. So he did it his way. Snake in the Eagle's Shadow and Drunken Master (both 1978) made him a star with kung fu that was half fighting and half comedy. Then he started directing his own movies and doing bigger and crazier stunts: Project A (1983), Police Story (1985), Armour of God (1986) and on and on. He has his own stunt team. He uses whatever is lying around in a fight, chairs, ladders, a coat rack, a refrigerator. Mr. Johansen, my Tang Soo Do instructor, says that's actually the most realistic thing about his movies. THE AMERICAN MOVIES He tried America a couple times before. The Big Brawl (1980), The Cannonball Run (1981), and The Protector (1985). None of them really let him be Jackie. Then:
A lot of the American versions are dubbed and cut down from the Hong Kong ones, sometimes with different music. That's why I hunt for the originals. See my want list. STAY FOR THE CREDITS Rule one of a Jackie Chan movie: do not leave when the credits start. Over the end credits they show the outtakes, the stunts that went wrong. Jackie missing the jump. Jackie falling off the thing. Jackie getting carried off on a stretcher, and then the next shot he's back up doing it again. The first time I saw that, at Rumble in the Bronx, the whole theater sat back down. The ushers were mad. Since then I've made everybody I know stay through the credits on every movie, and I've seen a lot of key grips' names for nothing. INJURY CHART
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Customers serviced: E-mail the tech: [email protected] Last updated Saturday, September 18, 1999 |