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POETRY SLAM
Tuesdays at the Blue Door
every tuesday night · sign-up 7:30 · first poet 8:00 · always free · always loud

*** FALL 1999 SLAM SEASON IS ON *** Finals Night Tuesday November 30 *** Current champ: DOMINIQUE, three weeks running, somebody please beat her *** Sign-up sheet goes out at 7:30 sharp, first 12 poets, no exceptions, we mean it ***
What is a slam? · The Rules · Fall Schedule New! · The Champ · A Taste · The Coffee · Find Us

The Blue Door is a coffeehouse. Twelve tables, a counter, a couch with a spring that will get you, and an actual blue door. Six nights a week it's a place to read and drink coffee and argue quietly. On Tuesday nights it is not quiet. Tuesday is slam night. We've been doing it since the spring of 1998, when a regular talked us into moving the tables back and putting a lamp on a milk crate, and it has gotten so we have to turn people away at the door by 8:15. So come early. Bring a poem or bring your ears. Both are welcome.


What is a poetry slam? (for the newcomers)

A slam is a poetry reading turned into a contest. Poets get up one at a time and perform their own work, from memory or off the page, and judges picked out of the audience hold up scores like it's the Olympics. The crowd is allowed, encouraged even, to cheer, groan, boo the judges, and generally behave in a way that would get you thrown out of a library reading. The point isn't really the winning. The point is that a slam makes poetry something that happens to a room full of people at once, instead of something that happens to one person alone on a couch. The scores are just how we trick everybody into caring.

The slam started in Chicago in the mid-1980s, in a bar, with a poet who was tired of readings that put people to sleep and figured a little competition would wake them up. It worked. By 1990 there was a national slam bringing teams from different cities together, and by now there are slams in coffeehouses and bars in just about every city in the country, including this one, on Tuesdays, at ours.

If you've never been to one: come at 7:30, get a coffee, sit near the back if you're nervous and near the front if you're not. You don't have to read. You might get picked as a judge (say yes; it's fun and nobody will remember your scores by Thursday). If you do want to read, put your name on the sheet. The first-timers get the loudest applause of the night, by tradition, no matter what they read. We take that tradition seriously.


The Rules

Taped to the wall by the sign-up sheet, and read out loud by the host every Tuesday at 8:00, whether or not anybody's listening.

1 Your own work. You wrote it, you read it. Nothing by anybody else, living or dead, however much you love them.
2 Three minutes. The clock starts when you start. There's a 10-second grace period after that, and then you lose half a point for every 10 seconds over. The host has a kitchen timer and no mercy. Time your piece at home.
3 No props, no costumes, no instruments, no music. You, your voice, your words, and if you need it, your paper. That's the whole kit.
4 Five judges, picked from the audience before the first poet goes up. Not poets who are reading that night, not the poet's roommate, not anybody the host recognizes as having judged last week. Each judge gets a pad of paper and a marker and holds up a score.
5 Scores run from 0 to 10, decimals allowed (a 7.5 is fine; a 7.83 means you're showing off). The highest and lowest scores are thrown out, and the middle three are added up. A perfect score is 30. Nobody has ever gotten a 30 at the Blue Door. Somebody got a 29.6 in June and we're still talking about it.
6 Two rounds. Everybody on the sheet reads in round one. The top four scores come back for round two with a different poem. Highest total after two rounds wins the night.
7 Sign-up is at 7:30, first twelve names. Not before 7:30 (we've caught people at 6). Not by phone, not by e-mail, not by leaving a note with the day shift. Show up.
8 The audience is allowed to be an audience. Cheer, snap, groan, boo the judges (never the poet). You may not heckle a poet mid-poem. You may not talk during a poem. You may absolutely lose your mind when it's over.
9 The winner gets: their name on the chalkboard until next Tuesday, a free drink of their choosing, and a spot in the Finals on November 30. Also bragging rights, which are the actual prize.
10 The best poem doesn't always win. Everybody knows this. It's part of the game. Read anyway.

Fall 1999 Schedule New!

Every Tuesday. Sign-up 7:30, first poet 8:00, done by 10:30 or so. Every Tuesday winner is in the Finals. Special nights marked.

Sept. 7Season opener. Won by Dominique.
Sept. 14Won by Dominique.
Sept. 21Won by Dominique. (See a pattern?)
Sept. 28Tonight! Regular slam. Dominique has said she's "taking the week off to be fair." We'll see.
Oct. 5Regular slam.
Oct. 12First-Timers Night. The first six spots on the sheet are held for people who have never slammed anywhere. Ever. We'll know if you're lying.
Oct. 19Regular slam.
Oct. 26Haunted Slam. Poems about fear, ghosts, the dark, your landlord. Still no costumes (rule 3). The lamp gets an orange bulb, that's as far as we go.
Nov. 2Regular slam.
Nov. 9Under-20 Night. High school and college poets go first. Everybody else reads after. Parents welcome, and they can't judge.
Nov. 16Regular slam. Last chance to qualify.
Nov. 23Open Mic, no scores. The Tuesday before Thanksgiving, the judges get the night off. Read anything, read somebody else's, read your grocery list. Not a qualifier.
Nov. 30FINALS NIGHT. Every Tuesday winner from the fall, three rounds, fresh poems each round. The Fall '99 Champion gets the chalkboard through New Year's, a mug with their name painted on it that lives behind the counter, and free coffee until the spring season. Doors at 7. It will be full. Come at 6:30.

No slam December 7 through the end of the year. The Blue Door takes its holidays. Spring season starts up again in January, date on the chalkboard.


The Champ

Dominique has won three Tuesdays in a row, which ties the house record (set by a guy named Paul in the fall of '98, who then moved to Portland; we've forgiven him). She's a nursing student, she writes about her grandmother and about hospitals and about buses, she never uses the paper, and she has a way of getting quiet at the end of a piece that makes the whole room lean in. Her round-two score on the 21st was a 28.9. She says the mug is hers. She may be right.

The chalkboard, as of tonight: DOMINIQUE · 3. And under it, in somebody else's handwriting: "somebody do something."


A Taste (so you know what you're in for)

We don't put the slam poems on this page. They belong to the people who wrote them, and half of them don't exist on paper anyway. But so newcomers know what a slam piece sounds like, here's a short one by Bev, who makes the coffee and has never once entered the slam, and who wrote this on the back of an order pad on a slow Sunday and said we could use it. It's about fifty seconds out loud. Read it out loud.

TUESDAY, 7:29

The sheet isn't out yet.
Twelve people are pretending not to look at the counter.
One of them has read the same page of the same book
since ten after seven
and the page is upside down.

Somebody's poem is in their jacket pocket, folded in eighths,
soft as a dollar bill.
Somebody's poem is in their head, and they are moving their lips.
Somebody's poem is not written yet.
It's going to be about tonight.

I put the sheet on the counter.
Nobody moves for exactly one second,
which is the most polite second of the whole week,

and then it's Tuesday.

© 1999 Bev. Used with permission. She would like you to know the coffee is better than the poem. We disagree.


The Coffee (briefly)

It's a coffeehouse. We'd be lying if we said the slam was the whole reason people come.

House coffee, bottomless$1.25
Espresso / double$1.50 / $2.00
Cappuccino, latte, café au lait$2.50
Mocha (real chocolate, Bev melts it)$3.00
Chai, hot cider (fall), Italian sodas$2.25
Scones, muffins, the big cookies$1.50 – $2.00
Day-old anything, after 8 p.m.75¢

No cover on slam night, ever. We ask that you buy something, because the lamp on the milk crate doesn't pay for itself, and the tip jar by the register goes to whoever's hosting. Water is free and you'll need it if you're reading.


Find Us

The Blue Door is on Grand Street, below the gallery with the big windows, the one with the blue door. If you're standing in front of a blue door, you're there. Open 7 a.m. to 11 p.m. every day but Monday. Slam every Tuesday. Questions, poems you'd like to be talked out of, requests to host: [email protected]. Sign-up is still only in person. Rule 7.

Neighbors we like: Ines sits in the back on Tuesdays and draws the poets, and someday we'll get the drawings on the wall. Ray shot the room in black-and-white last spring and the prints are over the couch. Poems from the Attic is poetry of the quiet kind, for the other six nights. And Theo runs the ring we're on.


E-mail the Blue Door
[email protected]

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since the page went up in April 1998. That's a lot of Tuesdays.

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Last updated Tuesday, September 28, 1999, at 4 in the afternoon, before the rush.
© 1998-1999 The Blue Door. Poems belong to their poets. The lamp belongs to the milk crate.